R\u00e9sum\u00e9<\/p>\n
Joseph Franklin
\n170 Don Quijote Court
\nCorrales, NM 87048
\nPhone: 505.362-1280
\nEmail:joseph@josephfranklin.org
\nWeb Site: www.josephfranklin.org<\/p>\n
As founding executive and artistic director for Chamber Music Albuquerque, Rel\u00e2che, Music In Motion-The Virtualconcert, New Music America 1987 and as producing director for performances, tours, residencies, lectures, special projects and related media events, I have:<\/p>\n
\u2022 Directed all artistic components of performing arts series\u2019 including program creation, marketing and promotion at, among other venues, the University of Pennsylvania\u2019s Annenberg Center, Drexel University\u2019s Mandell Theater, the Simms Center for the Performing Arts as part of Chamber Music Albuquerque\u2019s yearly concert series and a variety of venues in New York City;
\n \u2022 Founded and directed the Rel\u00e2che Ensemble, balancing the independent personalities of finely tuned musicians and shaping the ensemble into one of the most respected in their field;
\n \u2022 Created and directed Music In Motion, a national project comprising 5 U.S. cities, Mexico City and Puerto Rico, 5 prominent performing ensembles and 34 composers in a variety of residency programs designed to develop audiences for new musical works in the context of public outreach activities;
\n \u2022 Co-created The Virtualconcert, a component of Music In Motion designed to create artistic content on the Internet employing evolving interactive technologies to create new works and the development of a virtual community;
\n \u2022 Produced and directed New Music America \u2013 Philadelphia, in its time it was among the largest festivals of new music and related media in North America;
\n \u2022 Supervised the installation and implementation of a computer ticketing and donor tracking system including overseeing training of staff and volunteers;
\n \u2022 Designed several regional projects celebrating unique aspects of the High Plains including \u201cWhen They Awake,\u201d a project that explored the music and dance of the Met\u00eds people, a large population of mixed bloods, also known as the Little Shell Tribe, who have inhabited the Midwest and High Plains since the westward expansion of America;
\n \u2022 Successfully spearheaded a variety of fundraising strategies to raise millions of dollars for direct project and general operating expenses and maintain personal and professional connections to many of the leading private foundations and corporate philanthropies in the United States;
\n \u2022 Developed and managed balanced operating budgets for many projects — Music In Motion-The Virtualconcert had a 1.8 million-dollar operating budget and achieved all of its goals with a $30,000 surplus; each year while directing Chamber Music Albuquerque I have brought in expenses under the projected budgets;
\n \u2022 Served as a consultant to arts organizations in Montana and Louisiana\u2026 among those the city of Great Falls to create a fundraising strategy to update the technical systems in their auditorium and assisted in developing a performing arts presenting program and city-wide festival of the performing arts;
\n \u2022 Worked extensively with large and small institutions to increase their capacity to produce performances, residencies and aligned programs;
\n \u2022 Created and managed exchange programs among artists and scholars between the U.S., Europe, Canada, Mexico, South America, the Caribbean and Japan;
\n \u2022 Developed and managed staff and boards of directors;
\n \u2022 Developed long and short term (3 \u2013 5 years) business plans working closely with boards of directors, staff, community representatives and partnering arts and cultural organizations;
\n \u2022 Collaborated with a variety of professional arts, community and university organizations to share resources;
\n \u2022 Negotiated contracts with artists and their management and labor unions
\nfor services in support of a variety of projects;
\n \u2022 Assisted in the development and management of marketing strategies and public relations campaigns;
\n \u2022 Worked closely with graphic artists in the design and production of logos, brochures, catalogues and programs;
\n \u2022 Produced and programmed a variety of events using interactive technologies and supervised the creation of interactive web sites;
\n \u2022 Served as a yearly guest lecturer at Drexel University\u2019s Graduate School of Business Administration presenting talks on Arts Administration, Program Development, Presenting and Fundraising;
\n \u2022 Founded Metadesign Associates, a consulting company to serve arts and cultural organizations;
\n \u2022 Authored numerous articles on music, wrote Settling Scores: A Life in the Margins of American Music, published by Sunstone Press, Santa Fe, NM;
\n \u2022 Co-founded, co-produce and host a podcast THE RELACHE CHRONICLES;<\/p>\n
Professional Positions in Arts Management<\/p>\n
Executive Director of Chamber Music Albuquerque
\nI was responsible for the day-to-day operations of a chamber music presenting organization that presented a 12-concert season featuring chamber music artists of the highest caliber. All aspects of arts management were tasked while developing and directing a staff and sub-contractors to implement the mission of the organization. I worked with the board of directors and staff to ensure that Chamber Music Albuquerque (CMA) achieved a visible and responsible position in central New Mexico within the arts community. I brought in new funds from local foundations, businesses and arts agencies and assisted with direct mail fund drives, an endowment enhancement drive and special events including a series of audience development programs in private homes to enhance awareness for and appreciation of chamber music. I collaborated with other presenting organizations (including New Music Santa Fe and the Lensic Theater) and Outpost Productions in Albuquerque to block-book prominent ensembles for tours in New Mexico. I oversaw the transformation of an organization from an all volunteer one to a fully professional operation aimed at serving the people of central New Mexico. <\/p>\n
Founding Executive and Artistic Director, the Rel\u00e2che Ensemble
\nDuring the twenty three years I served as founding executive and artistic director of the Rel\u00e2che Ensemble it premiered over 400 new works including 200 commissioned specifically for the ensemble from composers stylistically diverse as Philip Glass, Lois V Vierk, John Cage, Arturo Marquez, Fred Ho, Guy Klucevsek, Claudio Triputti, Mary Ellen Childs, Michael Nyman, and George Russell. These works were performed in Philadelphia and New York City and on tour in venues throughout the United States, Europe, South America, and the Far East. Many of these works have entered the repertoire of ensembles worldwide and been recorded by a variety of groups. Often, I arranged residencies and lectures as part of these performances, produced recordings for National Public Radio, the Canadian Broadcasting System, the Australian Broadcasting Corporation and a number of European radio and television networks. I have produced five compact disc recordings for the Rel\u00e2che Ensemble and numerous radio programs that were broadcast in Philadelphia and two nationally syndicated radio programs with support from the Corporation for Public Broadcasting. With a dedicated staff I created numerous educational-outreach programs to embrace the multi-ethnic population of Philadelphia and surrounding areas. Among the programs created were:<\/p>\n
\u2022 The Latin American Composers Project – a series of residencies, lectures and demonstrations in partnership with the Association of Latin American Musicians (AMLA). Bi-lingual composers (Spanish and English) created new works while in residence in Spanish-speaking Latino neighborhoods of Philadelphia.
\n \u2022 The Asian-American Youth Project \u2013 a series of outreach activities in partnership with Asian-American youth groups in Philadelphia with the eminent Chinese-American composer, performer, writer and lecturer, the late Fred Ho and the equally eminent Cambodian-American composer Chinary Ung.
\n \u2022 The Emerging Composer \u2013 a series of short residencies, lectures, demonstrations and performances featuring new works by emerging composers, many having achieved prominence in the field of contemporary music; the most celebrated perhaps is Aaron Kernis, winner of the 1998 Pulitzer Prize for music.
\n \u2022 New Music In The Schools \u2013 demonstrations and presentations of new musical works in secondary schools throughout the Delaware Valley (Philadelphia and southeastern Pennsylvania, southern New Jersey and Delaware) revealing the variety of musical styles from throughout the world and their impact on the development of a unique \u201cAmerican musical form.\u201d<\/p>\n
Founding Executive Director for Music In Motion
\nDeveloped in partnership with Atlantic Center for the Arts, a prominent artists\u2019 residency facility located in New Smyrna Beach, Florida, and funded through a consortium of three foundations comprised of the Pew Charitable Trusts, Rockefeller Foundation and Wallace Funds, Music In Motion (MIM) was an expansive national program designed to further develop audiences for contemporary music through an elaborate network of performing ensembles, producing-presenting organizations, university arts programs and a variety of community arts agencies. With partners in five U.S. cities and connections to Mexico City, Caracas, Venezuela, Buenos Aires, Argentina and San Juan, Puerto Rico, MIM resulted in the development of 34 new works created for and performed by five leading U.S. ensembles. Each of the works was created in the context of a variety of public outreach activities, with the intent to \u201c\u2026demystify the creative process by sharing the musical development with audiences as the works were being made.\u201d <\/p>\n
In order to realize this goal, I worked closely with each \u201chost site\u201d to create a network of outreach partners. Among the partnering host-sites were the Cornish College of the Arts, The University of Washington, The Henry Art Gallery, Jack Straw Foundation and Garfield High School in Seattle; Walker Art Center and The University of Minnesota in Minneapolis; The University of the Arts, Temple University School of Music and The Curtis Institute of Music in Philadelphia; Orlando Museum of Art and Rollins College in Orlando, Arizona State University West in Phoenix, ASU Main Campus (The Gammage Center) in Tempe, and Pima County Community College in Tucson. Aligned with these large institutions were numerous community social and educational organizations that participated fully in the residency activities and were integral partners throughout the process. The success of MIM allowed us to slightly alter the program to embrace new technologies. The result was Music In Motion-The Virtualconcert.<\/p>\n
The final two years of MIM were dedicated to creating artistic content on the evolving Internet. The same models developed during the first three-year phase of MIM were applied to create a \u201cvirtual community\u201d that would share in the creative process both in virtual and \u201creal time\u201d contexts. This resulted in four very different works, each created for performing musicians and using different software applications to develop interactive web sites using MIDI, Shockwave, Beatnik and RealAudio sound files. <\/p>\n
Producing Director, New Music America \u2013 Philadelphia 1987
\nBetween 1979 and 1991 the New Music America festivals were among the largest presentations of new works in North America. Produced in a different city each year, the festivals were an ambitious attempt to broaden audiences\u2019 awareness for music by living composers. In addition to performances by prominent artists there were sonic installations, inter-media works, seminars, lectures, recordings and the production of a variety of texts from brochures to artists\u2019 statements, all celebrating the unique American \u201cexperimental\u201d spirit. Throughout this time, I served on the board of directors for the New Music Alliance, the organization that provided oversight to each NMA festival that was held in the U.S. and Canada. <\/p>\n
New Music America 1987 \u2013 Philadelphia featured over 200 composers and performers from America, Canada, Europe, South America and Japan, six sonic installations located throughout Philadelphia, a lecture series titled \u201cTalking Music,\u201d publications and a radio series co-produced with WNYC in New York and broadcast nationally over NPR. I facilitated numerous partnerships with organizations in Philadelphia. Producing-presenting partnerships included, among others, the Province of Quebec, Canada, Division of Culture, Association of Latin American Musicians (AMLA), American Music Theatre Festival, Franklin Institute Science Museum, Institute for Contemporary Art, Philadelphia Museum of Art and Temple University School of Music. The two-week festival left a sonic trace on Philadelphia that survived well into the mid 1990\u2019s. Immediately following the festival I began presenting a series of new and world music and dance events in the Annenberg Center at the University of Pennsylvania.<\/p>\n
Co-Director, New Music At Annenberg
\nThe series expanded the audience base for one of Philadelphia\u2019s most prestigious performing arts centers by presenting world music and dance, \u201cnew\u201d music and jazz artists from throughout the world. Among those presented over a six-year span were the Philip Glass Ensemble, Steve Reich and Musicians, The World Saxophone Quartet, The Art Ensemble of Chicago, Diamanda Galas, Ali Akbar Kahn, Nusrat Fatah Ali Kahn, George Russell and the Living Time Orchestra, Festival Indonesia and the Bulgarian Women\u2019s Choir. In partnership with the executive director of the Annenberg Center, I managed all aspects of the series, assisted in raising funds for the series and worked closely with the staff and volunteers at the center. <\/p>\n
Created Virtual Montana \u2013 A Learning Community
\nWas a project to \u201cexpand and enrich the cultural opportunities available to children and adults in rural Montana\u201d by integrating communication and information technologies into a broad arts and education program. <\/p>\n
Taught at the University of New Orleans\u2019 Arts Administration Program
\nDeveloped courses designed to integrate the practical aspects of programming, marketing, promotion and fundraising with an historical overview of the performing arts in America. Course titles are \u201c20\/20, An Overview of 20th and 21st Century Music\u201d and \u201cThe Arts Organization in Contemporary Society \u2013 Artistic Direction, Governance and Administration.\u201d<\/p>\n
Founder and President of Metadesign Associates (MA) –
\nMA is a consulting company to develop new programs, performances and related events within a broad historical and cultural perspective and employing communication information and production technologies. Clients have included:
\n \u2022 The Great Falls Civic Center in Great Falls, Montana to create a fundraising strategy and raise funds for facilities improvements and developing a multiarts presenting series.
\n \u2022 Wakina Sky Learning Circle, an after-school education program for children from Native American families. Developed and raised funds for a project to teach traditional dance and drumming techniques with elder master artists.
\n \u2022 Of Moving Colors Dance Company, to help strengthen the board of directors, train a new executive director and develop a comprehensive three-year Strategic Plan.
\n \u2022 UR Art & Culture, Inc.\/Rahim Alhaj \u2013 assisting in a project named \u201cLittle Earth.\u201d
\n \u2022 Puccini Productions\/The El Rey Theater in Albuquerque
\n \u2022 NAMI-NM \u2013 National Alliance for Mental Illness New Mexico<\/p>\n
Producer of Concerts, Festivals and Tours<\/p>\n
From 1983 \u2013 1992 I visited Europe numerous times. In addition to visiting major Western European cities; I established relationships with the former Easter-bloc countries of Hungary, The Czech Republic, Poland and Lithuania. These visits resulted in:
\n \u2022 Tours and residencies for the Rel\u00e2che Ensemble throughout Europe and exchanges with composers and performers from many countries;
\n \u2022 Performances, lectures, demonstrations and radio interviews were arranged for visiting artists in Philadelphia, New York City, Washington, D.C. and Orlando;
\n \u2022 Tours for the Rel\u00e2che Ensemble in many European cities including appearances at the Prague Spring Festival and the Wiener Festvolken (Vienna Festival Week);
\n \u2022 Visits to Mexico City, Puerto Rico and Caracas, Venezuela to develop similar exchanges with Mexican, South American and Caribbean artists that resulted in exchange projects in Philadelphia, Orlando, Phoenix and Tucson, Arizona and commissions to create new works for the Rel\u00e2che Ensemble;
\n \u2022 A three-month residency in Japan under the sponsorship of the Asian Cultural Council in New York City to explore potential exchanges between Japanese artists, presenters and the Rel\u00e2che Ensemble, expanding a network I had been developing in Japan over a 20-year period;
\n \u2022 Co-produced and led a two-week tour to Japan in conjunction with the American Embassy in Tokyo and the Interlink Festival;
\n \u2022 Co-produced and led a one-week tour of Venezuela as part of the Latin American New Music Festival;
\n \u2022 Co-produced and led a one-week residency at the Composer-To-Composer Festival in Telluride, CO;
\n \u2022 Co-produced and led performances and residencies at New Music America festivals in Hartford, CT; Philadelphia, PA; Miami FL;
\n \u2022 Co-produced and managed residencies and performances at the Yellow Springs Institute, Pennsylvania;
\n \u2022 Producer, The Rel\u00e2che Ensemble in Concert at the Mandell Theater, Philadelphia Ethical Society, Philadelphia Museum of Art, The Philadelphia Arts Bank, The Annenberg Center, University of Pennsylvania, The Independence Seaport Museum.
\n \u2022 Producer, the annual Festival of Contemporary Music at the Mandell Theater in Philadelphia
\n \u2022 Producer, The Rel\u00e2che Ensemble in Concert at Merkin Hall, New York City \u2013 a series over two years
\n \u2022 Producer, Centering: Performance In Time and Place at Painted Bride Art Center.
\n \u2022 Producer, PRAXIS, a series featuring new music artists from throughout the world at The Mandell Theater in Philadelphia.
\n \u2022 Producer, in conjunction with the City of Philadelphia, Bell Atlantic\u2019s Evening of American Music, the opening event of the yearly Philadelphia Freedom Festival. <\/p>\n
Radio Programs
\n \u2022 Co-hosted Classics Close To Home for WHYY\u2013FM, Philadelphia;
\n \u2022 Co-produced Bertolt Brecht and Song, a theater work featuring the collaborative works of Brecht, Kurt Weill and Hans Eisler broadcast on NPR;
\n \u2022 Co-hosted New Directions In Music on WXPN\u2013FM;
\n \u2022 Co\u2013Produced and co\u2013hosted New Music Today on WHYY\u2013FM, Philadelphia;
\n \u2022 Produced and wrote Focus on Contemporary Music on WHYY\u2013FM;
\n \u2022 Co\u2013Produced Soundposts, an 8\u2013part series broadcast throughout the U.S. with support from a Corporation for Public Broadcasting grant;
\n \u2022 Co-Producer, writer and on-air host for \u201cThe CMA Hour\u201d in conjunction with KHFM Radio in Albuquerque-Santa Fe;<\/p>\n
Author
\nI have published articles in journals and newspapers dealing primarily with issues within music and especially new music. I wrote book reviews for the Philadelphia Inquirer on a variety is topics. I wrote a book titled \u201cSettling Scores: A Life in the Margins of American Music\u201d that was published by Sunstone Press in Santa Fe in 2007.<\/p>\n
Producer of Recordings
\nHere and Now on Callisto Records;
\nThe Well on the Hat-Art label with Pauline Oliveros;
\nREL\u00c2CHE New Music Live! on Callisto Records;
\nRel\u00e2che On Edge CD on Mode Records;
\nOutcome Inevitable on O.O. Discs;
\nPick It Up on Monroe Street Music;<\/p>\n
Fund Raising
\nI have extensive experience in all aspects of fund raising having successfully generated funds from private philanthropies, government agencies, corporations and private donors. I have developed and managed several not-for-profit boards of directors and been a principal fundraiser for a variety of local, national and international music projects. I am versed in all aspects of proposal development, submission, follow-up and reporting. <\/p>\n
Additional professional activities
\n \u2022 Founder\u2013performer\u2013composer, The Improvisatory Music Project, a contemporary quartet devoted to jazz;
\n \u2022 Performed throughout the Philadelphia Public School System under the auspices of Young Audiences, Inc.;
\n \u2022 Director of Music and teacher of music at the Miquon Upper School in Philadelphia;
\n \u2022 Music Director for The Philadelphia Cup sponsored by the Cultural Affairs Council of Philadelphia;
\n \u2022 Music teacher at the Community College of Philadelphia;
\n \u2022 Faculty member at Temple University College of Music Preparatory and Extension Division where I taught private and class lessons in theory and composition and taught a course titled A Survey of 20th Century Music; An Examination of the Musical Avant\u2013Garde;
\n \u2022 Developed courses and taught in the Arts Administration program at the University of New Orleans;
\n \u2022 Production Coordinator for Transformations at the Yellow Springs Institute for Contemporary Studies and the Arts (YSI) in Chester Springs, PA;
\n \u2022 Director of New Music In The Schools, a unique program in which contemporary (classical) music was presented in secondary schools throughout Pennsylvania;
\n \u2022 Director, New Music Residency at Yellow Springs Institute for the Arts;
\n \u2022 Lighting Designer and Production Coordinator for Appel Farm Opera Theater;
\n \u2022 Lighting Designer and Production Coordinator at the Yellow Springs Institute;
\n \u2022 Contributed a variety of articles and reviews to The Philadelphia Inquirer and other newspapers and journals;<\/p>\n
Professional memberships
\nMember, Broadcast Music, Inc. (BMI)
\nMember, American Music Center
\nMember, American Composers Forum
\nFormer Board Member, The New Music Alliance
\nFormer Member, Board of Directors, Greater Philadelphia Cultural Alliance
\nFormer Board Member, Asociacion De Musicos Latino Americanos (AMLA)
\nFormer Member, Association of Performing Arts Presenters
\nMember, Western States Arts Federation
\nFormer Member, Western Jazz Presenters
\nMember, Chamber Music America
\nMember, New Mexico Presenters Alliance<\/p>\n
Education
\nFrankford High School, Philadelphia, PA
\nPhiladelphia Musical Academy. Graduated Magna Cum Laude, Bachelor of Music, Composition Major. Attended under the GI Bill and PMA Scholarships. Cumulative Average 3.6. Courses in composition, electronic music, multi\u2013media theater\/dance, academic studies at the University of Pennsylvania and Temple University.
\nTemple University Graduate School. Master\u2019s Degree Program, Composition. Cumulative Average: 3.7. Awarded a Doctoral Fellowship 1974. <\/p>\n
Armed Forces
\nUnited States Navy, Communications Technician, Top-Secret Security Clearance, served with Naval Forces Seventh Fleet. Discharged Honorably. <\/p>\n
Awards and Fellowships
\nFellowship from Asian Cultural Council for travel\/residency in Japan and Singapore
\nFellowship from English Speaking Union of Philadelphia for travel\/residency in Great Britain
\nCreative Artistry Award, Philadelphia Music Alliance
\nSeveral Meet The Composer grants
\nTwo Artists Fellowships in Composition from the PA Council on the Arts
\nAn archive named The Relache Record at Temple University\u2019s
\nSpecial Collections Research Center<\/p>\n
Compositions and Publications (A Sampling)
\nTide Warnings an electronic score commissioned by the Tina Croll Dance Company and Dance Theater Workshop
\nFlamedance for voice, flute, and piano
\nThe Silent Zero for voice & 11 instruments
\nSynthasia for clarinet, oboe & tape
\nSoliloquy from the Insanity of Mary Girard for soprano & 5 instruments
\nPrelude to the Insanity of Mary Girard for soprano & 11 instruments
\nPrelude to a Vision, a tape piece for voice, flute, clarinet and electronics that served as a prelude to the play, The Insanity of Mary Girard by Lanie Robertson. Commissioned by the Trans\u2013 Atlantic Theatre Company for its performances at the Edinburgh Festival other European performances.
\nNoumenal Suite for flt, oboe, vlc.
\nDouble\u2013Wing 50, On Two for voice, flute\/alto flute, oboe\/Eng. horn, bass
\nDouble\u2013Wing 50, On Three for voice. accordion, flute
\nEverything Going Out for flutes oboe\/Eng. horn, bass
\nEverything Going Out, Again for voice, alto & baritone saxophones, piano
\nCallisto for voice and 9 instruments
\nHay Que Meter La Puntita for voice, alto flute, and vln. vla. vlc. bass, piano <\/p>\n
Interests
\nI have many interests that support and inform my professional life. I read extensively with an emphasis on cultural studies, history and novels; I am an inveterate listener to the world\u2019s music and enjoy a variety of musical styles, forms and languages; I am a wine enthusiast, attend wine tasting events and belong to wine clubs; I am an accomplished athlete having transferred skills learned playing baseball to handball and compete at regional tournaments whenever possible; maintain a regular weight-training regimen; swim; cross-country ski and practice Tai-Chi in the Yang Style. I am married to Laurel Wyckoff who is the former Assistant Secretary for the Office of Cultural Development and State Historic Preservation Officer, Department of Culture, Recreation and Tourism for the state of Louisiana. An accomplished flutist, she performed with the Rel\u00e2che ensemble for 18 years as well as with orchestras and chamber groups over a twenty-five year performing and recording career. She was formerly Education and Outreach Manager for KNME Public Television in New Mexico. <\/p>\n","protected":false},"excerpt":{"rendered":"
R\u00e9sum\u00e9 Joseph Franklin 170 Don Quijote Court Corrales, NM 87048 Phone: 505.362-1280 Email:joseph@josephfranklin.org Web Site: www.josephfranklin.org As founding executive and artistic director for Chamber Music Albuquerque, Rel\u00e2che, Music In Motion-The Virtualconcert, New Music America 1987 and as producing director for performances, tours, residencies, lectures, special projects and related media events, \u2026 Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1734","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/pages\/1734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1734"}],"version-history":[{"count":1,"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/pages\/1734\/revisions"}],"predecessor-version":[{"id":1773,"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=\/wp\/v2\/pages\/1734\/revisions\/1773"}],"wp:attachment":[{"href":"https:\/\/www.josephfranklin.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}